Trombone Shorty and Orleans Avenue with Big Boi

If anybody knows their way around a festival, it’s Trombone Shorty. Born Troy Andrews, he got his start (and nickname) earlier than most: at four, he made his first appearance at Jazz Fest performing with Bo Diddley; at six, he was leading his own brass band; and by his teenage years, he was hired by Lenny Kravitz to join the band he assembled for his Electric Church World Tour. Shorty’s proven he’s more than just a horn player, though. Catch a gig, open the pages of the New York Times or Vanity Fair, flip on any late-night TV show and you’ll see an undeniable star with utterly magnetic charisma, a natural born showman who can command an audience with the best of them.
Atlanta indisputably set the pace for modern hip-hop. However, Big Boi set the pace for Atlanta, and by proxy, the culture at large. If the genre of hip-hop ever gets its own “Rap Mount Rushmore,” a legacy as the region’s foremost wordsmith, funkiest gentleman, and resident ATLien certainly guarantees a place for the diamond selling artist, rapper, songwriter, record producer, actor, philanthropist born Antwan André Patton. Big made history as the preeminent spitter of the Dungeon Family and one-half of OutKast.